....Of An Eid Unlike Any Other

   I won't beat about the bush, yesterday was Eid and it was brilliant. Not in the bountiful-meaty-goodness wali brilliant, the sitting-16-hours-in-front-of-the-PC brilliant.

  Ever since I've become enamoured of Qawwali, my hunter-gatherer instincts have resurged with an intensity not seen since the heady days of trying to download EVERY Dylan song I could find. With Qawwali, I have been trying in vain to collect recordings of some of the "ancients"; the pre-partition qawwals who were instrumental in establishing the popularity of recorded devotional music in the sub-continent.

 A bunch of very good friends dose out (very stingily) recordings of Mehboob Qawwal one or two mehfils per month; more on that in another post, but mostly I am left to scour messageboards, forums,Youtube and storage sites in search of anythin I can find. The sad bit is that there is precious little authentic research apart from the important work done by Professor Regula Qureshi. Special mention must go to her book, Sufi Music Of India And Pakistan; Sound, Context And Meaning In Qawwali; which will probably be the ONLY book I take with me to PMA.

 I've been hopping from website to website for a long long time with occasional success, but yesterday I hit the jackpot. Just like Spotify and it's promise of almost unlimited music, I stumbled onto a collection of ginormous scope, linked in a network with several other similar treasure troves. What I've found cannot be discussed at great length, but the absolute joy and awe I felt at listening to one of the earliest recording ever made in the subcontinent,and especially the absolutely delightful last 10 seconds , an 11 year old Ustad Salamat Ali Khan singing in praise of the Maharaja of Champanagar after the latter had completed a successful military campaign; a recording which redefines the phrase "child prodigy", and countless countless others is hard to put into words.

  Three magnificent recordings of Nusrat Fateh Ali Khan's father and uncle, half a dozen each of recordings of three of the most important qawwals from the earliest days of sound in India, a few of which feature a young and immensely talented Haji Ghulam Farid Sabri in his early days....... I have goosebumps just writing about them. If only I had gotten here a few days earlier, I would've had time to properly sift through the massive horde. But the urgency brought on by having to leave for PMA in 5 days (sigh) has brought on an odd,frenzied state where I'm exhausting myself from the hours spent in front of the PC, trying to taste if not digest, as much as I can.

 |Lets hope my taste buds can bear the strain.